farrow and ball

a whiter shade of grey

Well, this has been a long time coming. Loooooooong time. Little Betsy is the reason. See, we’ve had the paint for months, but how do you paint a room (clear out the furniture, both get stuck in with painting, don’t use the room for the duration and avoid the woodwork for 4 hours at a time…) when there’s a small, hairy thing bouncing around the place wanting you to throw Mr Hedgehog for her?

We’d planned on doing the kitchen and dining room in one go, and even, if booyaa could take a day off work, possibly adding in the hallway to the same mammoth painting session. I reckoned 3 days would cover us to get the whole lot, start to finish, done. But we just can’t do that with Betsy around. For a start, she barks and cries if she’s shut out of the room we’re in, so you can imagine her being locked away for the entire day, three days in a row. Well, we finally had a breakthrough. This is another of booyaa’s “this might be a really stupid idea but what if…” absolutely brilliant solutions to a problem we’d been stuck on for weeks. We’ll do it all in tiny bits. It’ll take three weekends or more, and it will be harder work, with all the getting out/putting away and tidying up in between, but at least we’d get it done. So that’s what we’re doing.

weekend one

We started with the kitchen. On Friday evening we planned our strategy and after breakfast and a long walk in the park to tire out little Betsy, we got stuck in. We took down the last bit of broken blind fitting and all the pictures, filled some holes and repaired some massive dints in the corners at the edge of the kitchen. Then we cleared some of the bigger items in the kitchen, and moved the rest all on to one of the worktops. booyaa took some of the cupboard doors off, to make it easier to paint in the tiny gaps between the end cupboards and the wall. We covered the other worktop with a pile of old plastic dustcovers, and got to work with the basecoat.

Covered up kitchen, featuring blotchy basecoat in the background there

Covered up kitchen, featuring blotchy basecoat in the background there

The basecoat, bought on special offer from Wilko and an absolute bargain, is designed to cover strong colours and smooth over fine cracks. We figured it would be a good base for painting over the horrendous ox-blood colour in here before repainting in the very light colour we’ve chosen. I hoped it would also deal with the satin finish of the existing paint. Have you ever tried painting over satin paint? The fresh paint smears all over. It’s a real pain. And of course there’s also the grease that’s bound to have accumulated over time on all the surfaces. Did it work? Why yes, it did. It’s quite tricky to apply on rough plaster like ours, and you need a fairly stiff brush to get in all the little pockmarks. If you have crisp, smooth plaster then I expect it would go on fine with a roller. But then you probably wouldn’t need a crack-filling paint… Because the basecoat is so thick (it’s basically Polyfilla plus white paint, let’s face it) you have to leave it for 6 hours to dry. We tidied up and left it overnight.

Next day I decided it looked like it had covered enough of the dark red to start painting the light grey emulsion I’d chosen, so after breakfast I got started with my favourite cutting-in brush. For such a small area – most of the kitchen is cupboard or window – it took me forever to paint it. But I still managed to get the first coat finished with time for it to dry so that I could do the second coat before dinner. All this time booyaa was trying to keep Betsy entertained. She spent most of the weekend sitting at the baby gate and crying for me. I’d go over to say hello every now and again but she was quite seriously put out. She might have had a few more treats than are good for her this weekend, just to keep her sweet.

After a very welcome hot shower and lovely dinner I sat down for a rest/play with Betsy while booyaa tidied everything away. On Monday morning we marvelled at the brightness of the kitchen. On Monday evening we kept turning the lights down because we don’t need them on full now that the red isn’t sucking the light out of everything. Remarkable. We had to rehang the cupboard doors because you know once you’ve moved them you’ll never get them to sit quite the same ever again… and put the clock back on the wall, moved things back how we’d had them and so on. And then I really looked at the new wall colour and decided that yes, it works really well with the cream tiles and the cream/dark grey cupboards. Yes, it’s the colour I wanted and it’s going to look great in the dining room. It’s so very much brighter, lighter, cleaner in here, it’s great. But… I don’t know, there’s something I can’t put my finger on. After living with it for a week I think that it’s a bit too cool (not as in not warm, though it’s that too, but mostly I mean chic, grown up) and it looks like something out of Living etc rather than my house. Bizarro.

Hipster kitchen

Hipster kitchen

I’m looking forward to seeing the transformation of the dining room. It’s going to give so much light back to the room. Which is a good thing, really, since the low over-the-table light means it’s generally dark even with the light on.

weekend two

booyaa has taken the Monday off, so we have a whole three days to tackle the dining room. We’d originally said we’d do the dining room over two or three weekends. We’d get the ceiling done first and then do two walls at a time. This is to reduce the amount of furniture-moving we need to do. It’s mostly down to not having somewhere to put everything while we’re working, since we need the living room free so Betsy has room to play. But also the sideboard is absolutely chock-a-block with glassware and crockery and you have to empty it before you can move it. Where do you put all that stuff? You can’t just leave it on the dining room table for two days or you’ll be eating off a tray on the kitchen floor…

Saturday morning: same ritual as last week. Homemade bread for breakfast then a long, fun walk in the park so that Betsy Boo is happy and tired out, and therefore easier to look after for the rest of the day. Move things all over the place. Into the garden, the downstairs bathroom, in the spare room, fold this away, put this back in the loft, and so on. Cover everything with dust sheets.

I’d planned out how to maximise the time working versus waiting for things to dry, so we’re doing things in possibly an unorthodox manner. We start by painting a border of basecoat around the join of the ceiling so it can start drying to let us do the ceiling today, then onto the rest of the basecoat cutting in. While I’m cutting in booyaa is using totally cheating liquid sander on the woodwork. Then I sit in the garden enjoying the lovely afternoon sun with Betsy while booyaa rolls the walls with basecoat. We have to go over it in places because the basecoat is so thick it’s hard to apply and the pockmarked plaster is quite deep in places and needs stippling to cover it up. Yet again I’m wondering just how much effort to go to now to avoid seeing tiny red dots on the wall later.

Blotchy basecoat (see also: grotty dip'n'strip doors)

More blotchy basecoat (see also: grotty dip’n’strip doors)

Next up I do the cutting in on the celing before booyaa rolls the rest of it. And that’s day one of this weekend pretty much over. We’re both exhausted and after cleaning brushes and washing rollers we opt for pizza from the local takeaway and an early night.

Sunday: up with the lark (that’s the Betsy alarm for you) so after breakfast, booyaa takes Betsy for a walk while I go straight back to the painting. I start on the cutting in and discover that I’ve completely lost my cutting-in mojo. I discovered while doing the living room that with a good angled brush and some patience I can paint a pretty good neat line freehand. No more low-tack tape that peels off your paint when you remove it. No no. But today I can’t paint a straight line. Panic! I decide to go as close as I can to the ceiling join and recognise that I’ll just have to go round with a tiny paintbrush later. While I take my turn to Betsy-sit booyaa comes in with the roller and gets the first coat of emulsion on the whole room before lunch. Whoop! While we’re waiting for that to dry we also do a coat up the stairs. We’re just doing up to the bannisters where the walls are pretty scuffed, so it’s pretty fast work. Then we get a couple of hours downtime. We get dinner ready to go in the oven. Early evening we get the second coat on in time for the dinner coming out of the oven. We are super impressed with ourselves.

Same wall, with one coat of paint on (Betsy's jail through the door on the left)

Same wall, with one coat of paint on (Betsy’s jail through the door on the left)

Monday: going to be tricky today. I’ve set my out-of-office so we can both concentrate on getting the woodwork done. We do the first coat of eggshell and true to our experience of Farrow and Ball eggshell elsewhere in this house the first coat looks awful and ohmygodthiswillneverwork. We have a four-hour wait before we can do the second coat but Betsy has very definitely Had Enough. She sits and cries through the bars of her little prison. I’m aching and fed up too.

dining-kitchen-painted

Dining room and kitchen at dinnertime

Usually I do most of the woodwork. booyaa doesn’t really have the patience, but given how very much I don’t want to paint another stroke, he takes over and finishes the second coat on the skirting board. We decide to cut our losses and leave the door surrounds and the radiator until next weekend. We clear up, put the room back together enough to have dinner at the table. It’s already feeling worth the effort. The lampshade I bought months ago with this paint colour in mind and that’s looked entirely uninspiring next to the ragey red all this time, has finally come into its own. I knew it would be just perfect in here. And despite our not-such-a-great-idea determination to have a low light over the dining table (which makes the rest of the room very dark since there’s no general light in here) it’s actually not dark in here at dinner time.

The lampshade that now looks lovely.

The lampshade that now looks lovely.

On Tuesday morning it’s the greatest pleasure to walk into the dining room and see that lovely calm colour and the room bathed in light. We don’t get much natural light in the dining room because next-door’s extension mostly keeps us in the shade, but what little light we get can now bounce around the room thanks to the pale wall colour. I always felt that the red colour was an angry colour and sucked in every drop of light, but I hadn’t realised how much. This is a tranquil, light space.

weekend three

We finish painting the door frames, do a couple of touch ups where the emulsion was a bit thin and put up some pictures. After three coats of eggshell on the woodwork we decide that the superquick, seems-too-good-to-be-true liquid sander is indeed too good to be true. Next time it’s elbow grease and a coat of F&B undercoat before we get to painting the eggshell. Another lesson learned.

Our last task for this room will be a separate project. We need to take off the doors, give them a really good sand and repair them. Then we can get started painting them. They’ve been dipped and stripped (we didn’t do it) but they didn’t come up very clean, one of them is in a bad way, so we’re not going to try to keep them bare wood. They’ll be painted dark grey to match the kitchen cupboards.

PRODUCTS USED

Wilko own brand Basecoat undercoat and filler
Polyfilla Liquid Sanding
Farrow and Ball Cornforth White Estate Emulsion (walls) and Estate Eggshell (radiator, skirting, door trim). Wimborne White Estate Emulsion (ceiling).
Still to come: F&B Estate Eggshell in Down Pipe on the doors.

50 shades of grey

Oh boy. This was finished months ago but I haven’t revisited the blog to update it.

The living room is a small room with one sash window which gets no direct sunlight all day and the front door which opens directly from the street. There’s a boarded-up fireplace which we intend to open up when we can afford to get the chimneys repaired and install a woodburner. One alcove to the side of the chimney breast has a low-level built-in cupboard and three shelves. The room was painted pale blue when we moved in, with woodwork in the usual white. It always felt cold and fairly unwelcoming.

When we were deciding how to decorate in here we had two main concerns. One was the front door sticking out like a sore thumb. See Exhibit A:

Day 0: living room

white door and plasticky frame

The other was that it’s dark and cold all the time. We decided the best way to deal with is was to make it a dark but warm room. We never get sunlight here. A tiny shaft of setting sun comes through the fanlight just before sunset. That’s it. So, after raking through magazines and books (boy is Pinterest helpful here, even if it is a bit of a pain to use these days. Thanks spammers!) we bought some dark paint testers. We both adored the charcoal grey but decided it might be just a bit too dark, and opted for what my mum calls “battleship grey”.

Next was to find a solution for the front door and its shiny whiteness. It’s a new door, with pvc mouldings and a fake wood grain effect. Looks fine from the outside and from a distance, but close up it’s pretty ugly. I found a special (and non-scary) primer which we could then paint an undercoat and eggshell over. It’s designed especially to prime pvc windows and — somewhat bizarrely — block smoke stains from coming through subsequent coats of paint.

So, I picked a week when I had reduced commitments workwise and got stuck in. The room was empty as we’d just had the floor fitted, so a few plastic dust sheets went on the floor and I spent hours fiddling with masking tape, then up and down the step ladder, nervously applying the specialist primer, then an undercoat to the door, window and shelves. The undercoat was so very dark and even after two coats it still looked horrendous. I know that next time I do this I’ll get the primer tinted, too, as that will help.

livingroom-undercoat

special primer plus two coats of undercoat

We painted the ceiling F&B Wimborne White. To look at it you’d probably think it was just white, but I know it looks less harsh than a brilliant white would. I swear I’ll never use ordinary white paint again. Then I finished the woodwork, all of it: door, window, radiator, shelves, cupboard, skirting in F&B Plummett eggshell. Two coats of eggshell went on like a dream, despite our unprofessional approach to painting, and the finish is just beautiful. Smooth as silk.

The walls were done in the same colour, Plummett, in Estate Emulsion, which gives a very flat matt finish. We cut in quite generously with a good quality angled brush then two coats with a roller. There was one patch that needed going over where the first coat went on a bit too thin, but the bulk of the work was done in a day.

Having the walls and all the woodwork in the same colour means we were able to cover up some “irregularities”, like where there was a weird gap in the skirting, the door now blends in and at night seems just like part of the wall. I love that the less broken up space feels tidier, uniform.

livingroom-door-painted

yay for the door blending in

Depending on the time of day the room varies from a mid- to dark-grey. But it’s beautifully rich and has tones of blue and purple in it. Yes, it’s quite dark, but it’s not a room we use much during the day and it really comes into its own in the evenings, with the warm, cosy feel of dark walls.

my corner, being all cosy

my corner, being all cosy

We’ve chosen a few copper accessories and some strong ochre/gold colours around the place. I knitted a cushion including ochre, copper and a teal blue and we’re slowly increasing the colour in the room. Putting pictures on the walls really helped to bring the room together.

I made that!

I made that!

I painted the old hallway shoe cupboard (separate how-to post coming up) in an even darker grey with a bright gold inside, and that’s got a new lease of life since I still can’t quite conscience £280 for the console table I want. Mum and Dad brought me the octagonal table that had been sitting in the spare room with the second tv on it for the past 15 years. It’s now tucked in the corner at my side of the sofa. It’s nice and high to give me plenty of light when I’m knitting. The light was a bit of a find. A copper tube base twisted into a tripod and a plain black shade from John Lewis for a bargainous £40.

old shoe cupboard looking smart in its new clothes

old shoe cupboard looking smart in its new clothes

The sofa was a bit of a push-the-boat-out. It was expensive but it’s lovely. It’s comfy, hardwearing, elegant and has a big gap behind the curved back where Tinker can hide. I knew she’d love it, and indeed she did, sneaking treats and hiding behind the sofa when she visited. Someone managed to not get a photo…

new sofa looking tempting there

new sofa looking welcoming

Still to do: find or make a cosy rug. The chevrons are excellent but it’s not a very easy rug to look after, plus, despite insulating the floor in here, we could do with a warm rug on the floor. I’m seriously considering making one, something like this. I’ve got some yarn to make a pouf-footstool type thing. It’s a rich ochre and will look great next to the greys. Then we need new curtains. We’re going to have a set of curtains covering the door and the window, pretty much wall-to-wall, so it keeps the warmth in during the winter. It’s pretty pricey to get curtains that wide and I’m not up to making something like that, so we’ll have to wait a couple of months before we can do that. In the meantime, we’ve got some lightweight silvery-coloured curtains from Wilko’s for about £20. They don’t do much for the temperature but they do add to the cocoony feel late at night.

We were both somewhat apprehensive about the colour scheme in here. It made sense, but we still weren’t sure it would work. Luckily, we both love it. We’re really proud of the change we’ve made to what was an uninteresting and not very welcoming room. Random visitors (delivery lady, broadband engineer) have commented on how lovely it is. Friends and family have also complimented us on how well it works. It feels great to come in and here and feel the welcoming vibe. And it’s us. I feel very strongly that this house should reflect us and our way of life. I don’t want an identikit of whatever the high street thinks your house should look like. I want it to be different, welcoming and very clearly ours, and I think we’ve achieved it.

kitchens of distinction

We’ve got a new kitchen!

We haven’t bought a new kitchen. We’ve upcycled what we had.

We renovated one worktop and installed one new worktop which we needed in order to fit the dishwasher. Then we had the cupboard doors painted and added new handles.

The kitchen is from Ikea, I believe. A bit of detective work shows up Ikea stickers here and there and I recognised the handles. So it’s not going to last forever. I think Ikea is brilliant at getting you a well-furnished, good-looking home on a tight budget. Most of their cheaper stuff doesn’t last and the more substantial stuff fails on the surfaces. Things tarnish and scuff easily. At least, that’s my experience. This kitchen is sturdy enough. The soft-close mechanisms have failed. The paint finish has worn or cracked in a number of places. What looks like steam damage had made the cabinet above the cooker swell. One of the drawers looked to have swollen in a similar way, making the edge all wavy.

So, we sanded off the swollen bits, took off the very boring handles and polyfilla-ed the resulting holes. There’s a small cabinet without a door where the microwave sits, so we filled in the spare holes there, too. It looks much neater.

Then Mr joiner-painter came and did the painting. The original colour was a light cream, and the top cabinets have been repainted in a warm white. That needed one coat of primer and two top coats. The bottom cupboards were painted dark grey so that took two coats of primer and two top coats.

Details

Top cabinets are painted in Farrow and Ball Wimborne White.
Lower cabinets are painted in Farrow and Ball Down Pipe.
Cupboard handles are large ceramic knobs in Lime Zest from theseplease.co.uk

Cost

We could have had new doors made fairly cheaply, so was it worth it to do it this way?
Paint. There’s still plenty of primer and paint left over, and it will get used on other projects. It’s already earmarked and was planned in advance to keep costs down. But still, it was £74 for the two cans of primer and two cans of paint.
Mr joiner-painter charged us £140 for a day and a half of work.
The new handles cost £33 (we needed 11).
The new worktop, joinery and oil all together came to £220.
So, not quite a new kitchen but it certainly looks like it, and all for under £470.

Verdict

The colour of the lower cabinets is just stunning. On the website the paint colour looks like a darkish, dull grey. In real life it’s a beautiful, rich colour. It changes depending on the light — I’m finding this is a speciality of F&B paints — from a greenish grey to a deep bluish grey to almost black. The top cabinets are a warm white colour. They don’t change as much as the lower cupboards, but the overall effect is a clean, bright not-quite-white.

This is the kitchen on the day we moved in.

Day 0: kitchen

Day 0: kitchen

This is the kitchen this morning (I was going to wait until the kitchen was clean and tidy, and the shelf next to the microwave needs putting back…. but you might never get a photo if I wait until it’s perfect.)

kitchen-after

You’d think we’d had a new kitchen fitted.

Close up of the drawers with their new shiny handles.

drawers smoothed, painted and sporting their new handles

drawers smoothed, painted and sporting their new handles